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Slap That Bass Trombone
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Vous avez sélectionné:
Slap That Bass Trombone
Partitions à imprimer
16 partitions trouvées
<
1
Slap That Bass
Slap That Bass
#
Trombone et Piano
#
George Gershwin
#
Jirka Kadlec
#
Slap That Bass
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Alto Trombone & Piano - Grade 3 - SKU: R0.37019 Composed by George Gershwin. Arranged by Jirka Kadlec. Alto Trombone & Piano. Score and parts. 8 pages. ...
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Alto Trombone & Piano - Grade 3 - SKU: R0.37019 Composed by George Gershwin. Arranged by Jirka Kadlec. Alto Trombone & Piano. Score and parts. 8 pages. Duration 3'13. Editions Marc Reift - Digital #37019. Published by Editions Marc Reift - Digital (R0.37019).
$5.95 ≈
5.55€
Collection: Slap That Bass - Trombone & Piano Accompaniment by George Gershwin - Instrumental Parts
#
Trombone et Piano
#
Jazz
#
George Gershwin
#
Collection: Slap That Bass - T
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Musicnotes
Slap That Bass - Trombone & Piano Accompaniment Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital...
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Slap That Bass - Trombone & Piano Accompaniment Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Piano Accompaniment;Trombone -- Jazz~~Jazz Standards~~Standards~~Traditional Pop
$4.95 ≈
4.62€
Slap That Bass - Trombone by George Gershwin - for Trombone
Instrumental Part~~Instrumental Solo
#
Jazz
#
George Gershwin
#
Slap That Bass - Trombone
#
Musicnotes
Slap That Bass - Trombone Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement d...
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Slap That Bass - Trombone Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Part;Instrumental Solo, instruments: Trombone; 1 pages -- Jazz~~Jazz Standards~~Show/Broadway
$2.99 ≈
2.79€
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Kommos (Lamentation) / "When the World Moved On" - Contrabass
#
Contre Basse
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 4 - SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.27€
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
#
Basson
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. P...
(+)
Bassoon Solo - Level 4 - SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.27€
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
#
Basson
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. P...
(+)
Bassoon Solo - Level 4 - SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.27€
The Incantations
The Incantations
#
Orchestre
#
AVANCÉ
#
Danny Elfman
#
Patrick Sheehan
#
rock selections
#
The Incantations
#
Patrick Sheehan
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1269410 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 121 pages. P...
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Full Orchestra - Level 5 - SKU: A0.1269410 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 121 pages. Patrick Sheehan #861930. Published by Patrick Sheehan (A0.1269410). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuice”INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Contrabassoon, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba I, Tuba II, Bass Drum, Tom-Tom, Cymbals, Tambourine, Ribbon Crasher, Slapstick, Timpani, Bass Marimba, Harp, Piano, Synthesizer, Organ, Violin I, Violin II, Viola, Cello, ContrabassABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.67€
Spirits of Big Bend
Spirits of Big Bend
#
Orchestre d'harmonie
#
AVANCÉ
#
Dan Cook
#
Spirits of Big Bend
#
Pecan Valley Music
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1177761 Composed by Dan Cook. Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 188 pages. Pecan ...
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Concert Band - Level 5 - SKU: A0.1177761 Composed by Dan Cook. Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 188 pages. Pecan Valley Music #777724. Published by Pecan Valley Music (A0.1177761). Grade 5Duration; 10:05I) Into the Chisos (3:15)II) Terlingua Nights (4:38)III) Red Ancho (2:12)Piccolo, Flutes 1 & 2, Oboes 1 & 2, Bassoons 1 & 2, Bb Clarinets 1, 2 & 3, Bass Clarinet, Alto Saxes 1 & 2, Tenor Sax, & Baritone SaxBb Trumpets 1, 2 & 3, Horns in F 1, 2 ,3 & 4, Trombones 1 & 2, Bass Trombone, Euphonium, & TubaTimpani, Chimes, Bells, Vibraphone, Xylophone, & MarimbaSnare Drum, Bass Drum, Sus. Cymbal, Triangle, Vibraslap, (3)Tenor DrumsSpirits. According to the Editors of Encyclopædia Britannica, Chisos may be a Native American word meaning “ghost” or “spirit”. The Chizo Indians were a nomadic group that used to inhabit Northern Mexico and the Big Bend area of Texas. The Chisos Mountains are the only mountain range contained entirely within the boundaries of a national park.Spirits. The Terlingua Ghost Town was once the home of thousands of Mexican mercury miners. It is said that the spirits of those miners return to the Terlingua Cemetery annually during Dia de los Muertos to enjoy an evening of celebration and remembrance with their loved ones.Spirits. Red Ancho. A bowl of red. Each fall, hundreds of spirited culinary adventurers travel to the Big Bend area to extract magic and good times from dried, ruby-red chili pods.Big Bend National Park and the surrounding area is like no other place on Earth. The people who call this part of Texas home are also like no other. This piece is dedicated to all of them, past and present, and to the land they cherish.
$100.00 ≈
93.34€
Ghost Dances (Wounded Knee, 1890) for Brass Band
Ghost Dances (Wounded Knee, 1890) for Brass Band
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Contemporain
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Roland Barrett
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Benjamin (Benthoven) Lau
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Ghost Dances
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BenthovenMusic Publications
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.977644 Composed by Roland Barrett. Arranged by Benjamin (Benthoven) Lau. Contemporary. Brass Band. 76 pages. BenthovenMusic Publications #6306099. Published by BenthovenMusic Publications (A0.977644). Ghost Dances (Wounded Knee, 1890) for Brass BandOriginally Composed by Roland Barrett, Arranged by Benjamin LauInspired by the tragic story of the Lakota Sioux massacre at Wounded Knee in 1890, Roland Barrett's original work features a soft and peaceful entry, followed by aleatoric sections with musical fragments to convey the imagery of a Sioux ghost dance, and a menacing, ferocious section with high speed and intensity to keep the audience on their toes. This brilliant and inspiring work has been adapted for brass band by BenthovenMusic. This arrangement still captures the same peaceful and free opening along with the rhythmic intensity and drive of the original but with a reduced percussion section and more brass. This is an excellent work for high school/university bands that shows strong musical capability, technicality, and endurance of the player. Dur. 5'43Instrumentation:- Soprano Cornet- Solo Cornet 1- Solo Cornet 2- Solo Cornet 3- Solo Cornet 4- Repiano Cornet- 2nd Cornet- 3rd Cornet- Flugel- Solo Horn- 1st Horn- 2nd Horn- 1st Baritone- 2nd Baritone- 1st Trombone- 2nd Trombone- Bass Trombone- Euphonium 1- Euphonium 2- Eb Bass- Bb Bass- Percussion 1 (Timpani, Claves, Vibraslap, Tambourine)- Percussion 2 (Rainstick, Glockenspiel, Metal Wind Chimes, Drum Set)- Percussion 3 (Chimes, Suspended Cymbal)
$40.00 ≈
37.33€
Laughs
Laughs
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Orchestre
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AVANCÉ
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Danny Elfman
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Patrick Sheehan
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rock selections
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Laughs
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Patrick Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1271978 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 130 pages. P...
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Full Orchestra - Level 5 - SKU: A0.1271978 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 130 pages. Patrick Sheehan #864336. Published by Patrick Sheehan (A0.1271978). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuice”INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe, English Horn (F), Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Bass Clarinet (Bb), Contrabass Clarinet (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba I, Tuba II, Snare Drum, Bass Drum, Crash Cymbals, Tambourine, Castanets, Slapstick, Shaker, Xylophone, Celesta, Synthesizer, Piano, Organ, Violin I, Violin II, Viola, Cello, ContrabassABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.67€
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3...
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Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song” that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95 ≈
24.22€
Pioneer 10 and Pioneer 11 from Space Probes
Pioneer 10 and Pioneer 11 from Space Probes
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New Age
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Contemporain
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Doug Clyde
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Choir SATB
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Pioneer 10 and Pioneer 11 from
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ALBEDO MUSIC
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.712998 Composed by Doug Clyde. Contemporary,New Age. Octavo. 41 pages. ALBEDO MUSIC #2569979. Published by ALB...
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Choral Choir (4-Part) - Level 4 - SKU: A0.712998 Composed by Doug Clyde. Contemporary,New Age. Octavo. 41 pages. ALBEDO MUSIC #2569979. Published by ALBEDO MUSIC (A0.712998). Song: Pioneer 10 and Pioneer 11. Album: Space Probes: Unmanned Robotic Spacecraft. Artist: ALBEDO. Composer: Doug Clyde. © 2014 by ALBEDO MUSIC. AMSM83. Musical interpretations of select space probes of achievement. Unmanned robotic spacecraft that explored astronomical objects in our solar system other than earth, and were the first successful flyby, orbiter, lander, rover or sample return missions. Music is similar in style to Mannheim Steamroller and Vangelis. Full Orchestra (Brass, Percussion, Strings) & Choir SATB. Lyrics in Latin. Score & Parts- Horn in F, Trumpet in Bb, Trombone, Tuba, Xylophone, Percussion 1 (Crash Cymbals, Vibraslap), Percussion 2 (Bass Drum, Woodblocks), Guitar, Choir (Soprano, Alto, Tenor, Bass), Solo Voice Whistle, Violin I, Violin II, Viola, Cello, Contrabass.
$29.99 ≈
27.99€
The Veil Between
The Veil Between
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Drew Morris
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The Veil Between
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Yellow Envelope Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1272809 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 65 pages. Yello...
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Concert Band - Level 3 - SKU: A0.1272809 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 65 pages. Yellow Envelope Publications #865007. Published by Yellow Envelope Publications (A0.1272809). Though “The Veil Between” starts slow and ominous, it quickly picks up the tempo with a driving bass line and melody that pushes throughout the piece. The middle section is filled with creepy percussion instruments, including bowed cymbals and super ball mallets on gongs and timpani. Your percussionists are sure to enjoy trying out these cool sounds.Every person on a melodic instrument gets the melody at some point in the piece. I just liked the idea of someone starting to play the melody as people were getting ready for rehearsal and anyone else being able to join in! Plus, I thought it might make it easier to teach the style of the melody if you could do it as a full group.This piece was originally written for 5 percussionists. After finishing the piece I was asked to add in more percussion, a task which I was very excited to do! The benefit of this is that this piece can be played by as few as 5 percussionists, or as many as 10 (or more)! InstrumentationFlute, Oboe, Bassoon, 2 Clarinet, Bass Clarinet,Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpet, French Horn, Trombone, Euphonium, Treble Clef Euphonium, Tuba5-10 Percussionists - Timpani, Snare Drum, Bass Drum, Concert Toms (2), Opt. Floor Tom,Maracas, Gong, Suspended Cymbal, Vibraslap, Glockenspiel, Vibraphone, Marimba
$60.00 ≈
56.00€
Memories Of Love
Memories Of Love
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Orchestre de chambre
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AVANCÉ
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Rock
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Chicago
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Patrick Sheehan
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Memories Of Love
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Patrick Sheehan
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.748318 By Chicago. By Terry Kath. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 122 pages. Patrick Sheeh...
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Chamber Orchestra - Level 5 - SKU: A0.748318 By Chicago. By Terry Kath. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 122 pages. Patrick Sheehan #6456201. Published by Patrick Sheehan (A0.748318). Transcription as recorded by CHICAGO for the album Chicago III INSTRUMENTATION: Vocal, Piccolo, Flute, Alto Flute (G), Oboe, English Horn (F), Bassoon I, Bassoon II, Clarinet (Bb),Trumpet I (Bb), Trumpet II (Bb), Horn I (F), Horn II (F), Trombone I, Trombone II, Tuba, Snare Drum, Cymbal, VibraSlap, Vibraphone, Timpani, Harp, Violin I, Violin II, Viola, Cello, ContrabassABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.67€
Quasi-tonal Fanfare for Brass and Percussion
Quasi-tonal Fanfare for Brass and Percussion
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Drew Morris
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Quasi-tonal Fanfare for Brass
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Yellow Envelope Publications
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SheetMusicPlus
Brass Band Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1272834 Composed by Drew Morris. 21st Century,Chamber,Classical,Contempo...
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Brass Band Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1272834 Composed by Drew Morris. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and Parts. 45 pages. Yellow Envelope Publications #865032. Published by Yellow Envelope Publications (A0.1272834). Quasi-tonal Fanfare for Brass and Percussion starts with a flurry of double tonguing in the trumpets, then rips into a whole series of sections that jump around tonality at random, sometimes following harmonic structures, sometimes not.The percussion is used not simply as support for the brass, but as an equally important voice, weaving in and out of the texture, supplying important direction and momentum to the piece.Instrumentation4 Trumpet, 4 Horn, 3 Trombone, Euphonium, Tuba6 Percussionists - Timpani, Snare Drum, Bass Drum, Concert Toms (4), Temple Blocks, Whip/Slapstick
$45.00 ≈
42.00€
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Slap That Bass Trombone
